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Eddie Marsan

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1
Berlinale ’20 Forum: „Red Moon Tide“ evolves into visual poem of nature’s ghostly demise
Berlinale ’20 Forum: „Red Moon Tide“ evolves into visual poem of nature’s ghostly demise
views 1.235
2
„Der Name ist wie ein Schlüssel, der überall Einlass gewährt.“ – Interview mit Sara Forestier zu „Der Name der Leute“ II
„Der Name ist wie ein Schlüssel, der überall Einlass gewährt.“ – Interview mit Sara Forestier zu „Der Name der Leute“ II
views 1.045
3
Berlinale ’20 Forum: Is „The House of Love“ up for rent? Why then the filmic flat inspection?
Berlinale ’20 Forum: Is „The House of Love“ up for rent? Why then the filmic flat inspection?
views 1.035
4
Chiles Folk-Singer & -Hero „Violeta Parra“ bekommt ihr erstes Biopic
Chiles Folk-Singer & -Hero „Violeta Parra“ bekommt ihr erstes Biopic
views 723
1
Viggo Mortensen's directorial debut "Falling" is little more than repetitive rightwing rambling
Viggo Mortensen's directorial debut "Falling" is little more than repetitive rightwing rambling
Dezember 1, 2020
2
Podcast: Robert Zemecki's version of "The Witches" is congenial in the wrong way
Podcast: Robert Zemecki's version of "The Witches" is congenial in the wrong way
November 8, 2020
3
Podcast: "The Greatest Showman" is Hypocritical, Hoky Hollywood Humbug
Podcast: "The Greatest Showman" is Hypocritical, Hoky Hollywood Humbug
November 7, 2020
4
Zemecki's "The Witches" is as frought with CGI as with misogynist messages & bigot subtexts
Zemecki's "The Witches" is as frought with CGI as with misogynist messages & bigot subtexts
November 7, 2020

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