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Eddie Marsan

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1
Berlinale ’20 Forum: „Red Moon Tide“ evolves into visual poem of nature’s ghostly demise
Berlinale ’20 Forum: „Red Moon Tide“ evolves into visual poem of nature’s ghostly demise
views 1.439
2
Berlinale ’20 Forum: Is „The House of Love“ up for rent? Why then the filmic flat inspection?
Berlinale ’20 Forum: Is „The House of Love“ up for rent? Why then the filmic flat inspection?
views 1.184
3
„Der Name ist wie ein Schlüssel, der überall Einlass gewährt.“ – Interview mit Sara Forestier zu „Der Name der Leute“ II
„Der Name ist wie ein Schlüssel, der überall Einlass gewährt.“ – Interview mit Sara Forestier zu „Der Name der Leute“ II
views 1.180
4
Chiles Folk-Singer & -Hero „Violeta Parra“ bekommt ihr erstes Biopic
Chiles Folk-Singer & -Hero „Violeta Parra“ bekommt ihr erstes Biopic
views 820
1
"Happiest Season" could use more of the self-assuredness it holds so high
"Happiest Season" could use more of the self-assuredness it holds so high
Februar 16, 2021
2
Podcast: "Home Alone" & "Home Alone 2: Lost in New York" double down on classism & conservatism
Podcast: "Home Alone" & "Home Alone 2: Lost in New York" double down on classism & conservatism
Januar 7, 2021
3
Podcast: Self-congratulatory pseudo-social criticism in "Antebellum"
Podcast: Self-congratulatory pseudo-social criticism in "Antebellum"
Januar 7, 2021
4
Horror parable "Antebellum" more focused on own importance than intelligent storytelling
Horror parable "Antebellum" more focused on own importance than intelligent storytelling
Dezember 21, 2020

© CINEMAGICON 2020