Review Archives ⋆ CINEMAGICON

1	Berlinale ’20 Forum: „Red Moon Tide“ evolves into visual poem of nature’s ghostly demise Berlinale ’20 Forum: „Red Moon Tide“ evolves into visual poem of nature’s ghostly demise views 1.239
2	„Der Name ist wie ein Schlüssel, der überall Einlass gewährt.“ – Interview mit Sara Forestier zu „Der Name der Leute“ II „Der Name ist wie ein Schlüssel, der überall Einlass gewährt.“ – Interview mit Sara Forestier zu „Der Name der Leute“ II views 1.047
3	Berlinale ’20 Forum: Is „The House of Love“ up for rent? Why then the filmic flat inspection? Berlinale ’20 Forum: Is „The House of Love“ up for rent? Why then the filmic flat inspection? views 1.038
4	Chiles Folk-Singer & -Hero „Violeta Parra“ bekommt ihr erstes Biopic Chiles Folk-Singer & -Hero „Violeta Parra“ bekommt ihr erstes Biopic views 723

1	Viggo Mortensen's directorial debut "Falling" is little more than repetitive rightwing rambling Viggo Mortensen's directorial debut "Falling" is little more than repetitive rightwing rambling Dezember 1, 2020
2	Podcast: Robert Zemecki's version of "The Witches" is congenial in the wrong way Podcast: Robert Zemecki's version of "The Witches" is congenial in the wrong way November 8, 2020
3	Podcast: "The Greatest Showman" is Hypocritical, Hoky Hollywood Humbug Podcast: "The Greatest Showman" is Hypocritical, Hoky Hollywood Humbug November 7, 2020
4	Zemecki's "The Witches" is as frought with CGI as with misogynist messages & bigot subtexts Zemecki's "The Witches" is as frought with CGI as with misogynist messages & bigot subtexts November 7, 2020

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