CrimeFestivalReview Berlinale ’21 Special: “Limbo” goes all the way to morally polluted purgatory Berlinale ’21 Special: “Limbo” goes all the way to morally polluted purgatory Lidalost
DocFestivalReview Berlinale ’21 Special: Formalist doc comes to life thanks to its powerful subject “Tina” Turner Berlinale ’21 Special: Formalist doc comes to life thanks to its powerful subject “Tina” Turner Lidalost
ComedyFestivalReview Berlinale ’21 Wettbewerb: “Bad Luck Banging or Loony Porn” is as vulgar & venal as the amateur porn it features Berlinale ’21 Wettbewerb: “Bad Luck Banging or Loony Porn” is as vulgar & venal as the amateur porn it features Lidalost
FestivalReviewWar Berlinale ’21 Wettbewerb: “Natural Light” gets lost in the symbolistic wilderness substituting for moral exegesis Berlinale ’21 Wettbewerb: “Natural Light” gets lost in the symbolistic wilderness substituting for moral exegesis Lidalost
ComedyDramaFestivalReview Berlinale ’21 Wettbewerb: Melancholy “Introduction” contemplates loneliness & longing for closeness Berlinale ’21 Wettbewerb: Melancholy “Introduction” contemplates loneliness & longing for closeness Lidalost
CrimeDramaFestivalReview Berlinale ’21 Panorama: “Ted K” draws gripping portrait of one man going over the edge Berlinale ’21 Panorama: “Ted K” draws gripping portrait of one man going over the edge Lidalost
DramaFestivalReview Berlinale ’21 Generation: “Beans” sees timid title hero grow tough during Oka Crisis Berlinale ’21 Generation: “Beans” sees timid title hero grow tough during Oka Crisis Lidalost
DramaFestivalReview Berlinale ’21 Wettbewerb: Indulgent “Memory Box” is overstuffed with self projection Berlinale ’21 Wettbewerb: Indulgent “Memory Box” is overstuffed with self projection Lidalost
ExperimentalFestivalReview Berlinale ’21 Forum: Dreamlike “Ste. Anne” looks for identity within familiar & ethnic ambiguity Berlinale ’21 Forum: Dreamlike “Ste. Anne” looks for identity within familiar & ethnic ambiguity Lidalost
